La Chute
The fall of Icarus, our hopes crumble, our loves are lost. In short, Ángel Marcos deals with desperation.
This new work has been captured in Brussels, capital city in the northern South that has managed to conserve part of the baroque of its Spanish influence, of its interior disproportion.
Ángel Marcos stages his actors as couples, as families, where day-to-day events gradually leave their dregs of boredom. She dreams of a great story, he looks at the clock. He sleeps, she is unsatisfied.
In these images, we are reminded of Dutch paintings: at the same time, there are pictures and scenes of the genre, all bathed in a light that models to perfection the smallest of details.
The play and the form contribute in joining reality and fiction, the sleight of hand fades away. At first, the photographs are pleasing to the eye but they are soon to hurt by reminding us that there is nothing worse than loneliness in a couple. Jean-Louis Godefroid. ”La chute” . (Extract)
La Chute 54
, 2000
La Chute 53
, 2000
La Chute 52
, 2000
La Chute 51
, 2000
La Chute 49
, 2000
La Chute 48
, 2000
La Chute 47
, 2000
La Chute 46
, 2000
La Chute 45
, 2000
La Chute 44
, 2000
La Chute 43
, 2000
La Chute 42
, 2000
La Chute 41
, 2000
La Chute 40
, 2000
La Chute 39
, 2000
La Chute 38
, 2000
La Chute 37
, 2000
La Chute 36
, 2000
La Chute 35
, 2000
La Chute 34
, 2000
La Chute 33
, 2000
La Chute 32
, 2000
La Chute 31
, 2000
La Chute 26
, 2000
La Chute 21
, 2000
La Chute 19
, 2000
La Chute 16
, 2000
La Chute 9
, 2000
La Chute 3
, 2000
La Chute 2
, 2000
La Chute 1
, 2000































